IT'S CURTAINS TEST DRIVE

[stagemanagers]

1) CURTAINS UP
You’ve just woken up in a small dressing room, which is certainly not where you went to bed last night. Actually, do you even remember going to sleep…? Regardless, this isn't where you last were, and if you leave your room you’re going to find a lot of other people in the same state.

Go out and socialize! Most of these people may be strangers, but you’re gonna all have to get used to one another. And who knows? There may actually be a familiar face in the crowd.

2) THIS PETTY PACE
By now, you're acquainted with everybody here and you're sloooowlllyyyy growing bored. Bored enough to kill? Hopefully not. You'd better try to find something else to do. You can always go hang out with your castmates, or maybe try and whip something up in the kitchen! There’s also a music room to keep you busy! I sure hope you like music.

3) BREAK A LEG
Comedies are fun and all, but that’s not quite what we’re about here. You’ve all just been handed this week’s motive. What do you make of it? Is it one that might actually tempt you to kill, or did you get off lightly this time? Either way, maybe you’d better look around the room and see who else is having a rough time.

4) CURTAIN
It was bound to happen eventually. Someone is dead, and now it's time to go off and investigate. Were they close to you? Are you, perhaps, feeling guilty? Either way, it's probably best not to leave anyone alone right now.

5) CUE MUSIC
Feelings in a murder-opera can get pretty gosh darn intense. Sometimes you’ve just got to let it out. And hey, if you sing a song about whatever’s going on in your head, maybe someone will hear and come help you? Either way, this is a musical – there’s not really any reason not to sing.

[Mod Note: The song mechanic is meant to be fluid and simple. You do not have to produce your own song lyrics, nor are you required to use show tunes (although we do encourage it!). If you want to rewrite existing lyrics to fit the situation, go for it! Anything goes - if Mumford and Sons expresses your character’s current emotions, then break out the banjos. We want to keep the musical mechanic as fun and simple as we can to encourage our players to use it as much as they like.]

6) WILDCARD
Make up your own prompt!

Comments

[wanttogooutside]

Shilo Wallace. What's yours?

[dechagny]

Raoul de Chagny. It is a pleasure to make your acquaintance, Miss Wallace.

[wanttogooutside]

It's nice to meet you too, Mr. de Chagny. [Shilo looks around at where they are] Is... is everywhere like this?

[dechagny]

This place is the only one that I have ever seen to be "like this". The opera house of which I provide my patronage is...similar, perhaps only in use, but is of a much grander scale.

[It is, unfortunately, still a host to strange and deadly goings-on.]

[wanttogooutside]

I've never seen anywhere like this. Not even the opera Blind Mag performs at. Well, that looks a little like this...

[dechagny]

[Blind Mag - it's not a name he's heard before.]

Where does she happen to perform, if I might ask?

[wanttogooutside]

The Genetic Opera.

[Yes, that's really the name]

[dechagny]

I'm...afraid I have never heard of that establishment.

[Not to say she's lying, he's just...wow that's a weird name.]

[wanttogooutside]

It's where everyone sings. Everyone important

[Where she's from, anyway. Mostly because it's owned by Gene-Co, and what they promote becomes popular]

[dechagny]

Well, that certainly makes one's patronage options limited. I think, perhaps, that I may prefer the opera houses at home a little more for that reason - but that's got nothing to do with the talent of the, ah, Genetic Opera. After all, I've never been to a performance.

[wanttogooutside]

Mag is amazing, you'd love her. Everyone does.

[Yeah, that's just Shilo being really excited there]