It's Curtains Mods (
stagemanagers) wrote in
thebackstage2021-04-02 10:07 am
Entry tags:
It's Curtains Act 3 Test Drive
1) CURTAINS UP
You’ve just woken up in some kind of dorm room, which is certainly not where you went to bed last night. Actually, do you even remember going to sleep…? Regardless, this isn't where you last were, and worse still - there's other people waking up in the same room with you, in the same state.Talk to your roommates! Go out and meet everyone from the other rooms! Most of these people may be strangers, but you’re gonna all have to get used to one another. And who knows? There may actually be a familiar face in the crowd.
2) THIS PETTY PACE
By now, you're acquainted with everybody here and you're slowly growing bored. Bored enough to kill? Hopefully not. You'd better try to find something else to do. You can always go hang out with your castmates, or maybe try and whip something up in the kitchen! There’s even a band room to keep you busy! I sure hope you like music.3) BREAK A LEG
Comedies are fun and all, but that’s not quite what we’re about here. You’ve all just been handed this week’s motive. What do you make of it? Is it one that might actually tempt you to kill, or did you get off lightly this time? Either way, maybe you’d better look around the room and see who else is having a rough time.4) I LOVE PLAY REHEARSAL
It's Club Day! What's Club Day, you ask? Come to the classroom on the poster to find out! It looks like this week's club is Bread Club. Be wary, when you enter the classroom you'll face a shower of various bread slices but be rewarded with a surprisingly fancy layout of spreads and jams to go with them. Don't mind the oddly threatening poster on the far wall. He's just here to supervise. 5) CURTAIN
It was bound to happen eventually. Someone is dead, and now it's time to go off and investigate. Were they close to you? Are you, perhaps, feeling guilty? Either way, it's probably best not to leave anyone alone right now.6) CUE MUSIC
Feelings in a murder-school can get pretty gosh darn intense. Sometimes you’ve just got to let it out. And hey, if you sing a song about whatever’s going on in your head, maybe someone will hear and come help you? Either way, this is a musical – there’s not really any reason not to sing. [Mod Note: The song mechanic is meant to be fluid and simple. You do not have to produce your own song lyrics, nor are you required to use show tunes (although we do encourage it!). If you want to rewrite existing lyrics to fit the situation, go for it! Anything goes - if Mumford and Sons expresses your character’s current emotions, then break out the banjos. We want to keep the musical mechanic as fun and simple as we can to encourage our players to use it as much as they like.]
6) WILDCARD
Make up your own prompt!--
Questions, comments, concerned? Reach the mods on plurk at

Orpheus | Hadestown
[ Well this is - unusual. Orpheus takes a moment after waking to realize that this isn't his room above the bar, but when he does he sits upright, looking around with a groggy sort of shock. ]
II. I came to this strange worldOh, um. Hello! [ he says, waving over at the person in the bed across from his. ] Do you know where we are?
[ He looks sort of sheepish about having to ask, like there's a chance he somehow wound up here by accident, or managed to miss the explanation for why he's suddenly waking up in an unfamiliar room with a stranger. ]
[ In an entirely predictable turn of events, Oprheus immediately finds his way to the music room. He misses his guitar, anxious about where it could've wound up without him, and while other instruments aren't exactly a proper substitute being able to play does help him take his mind off of things. Sitting at the piano, he plays a slow, contemplative piece, singing the words under his breath. ]
V. Hoping I could learn a bit 'bout how to give and takeKéklyth’ Helikōna bathýdendron
haì láchete Diòs eribrómou
thýgatres euṓlenoi
mólete sunómaimon hína Phoîbon
ōidaîsi mélpsēte chryseokómān
hòs anà dikórymba Parnassídos
tāsde petérās hédran ham agaklytaîs
Delphísin Kastalídos euýdrou
nā́mat’ epinísetai, Delphòn anà prōna
manteîon ephépōn págon
[ Yeah, that's not in English. The familiar may be able to pin it down as Attic Greek, if they're listening carefully enough. It's a hymn to Apollo that his mother taught him a long, long time ago, and with things as confusing as they are right now he feels like calling for some divine insight is appropriate. ]
[ Orpheus is... not taking this whole death thing well. He didn't know the victim, having managed to miss talking to them, but the thought of what happened to them makes something go painfully tight in his chest and throat. Looking pale and alarmed, he hangs back as the others investigate, trying not to stare at the body. ]
Who could do something like this? And why? Just to get out? [ It doesn't make any sense. Everyone had been getting along so well! Anxiously, he runs his hands through his hair and turns away, shaking his head. ]
v
She'll investigate it later. For now, she's worried about Orpheus. Eurydice turns towards him, laying a hand gently -- protectively -- on his back. When she speaks, it's barely above a whisper. ]
I don't know. People do stupid things when they're desperate. What's important now is that we stay safe.
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I just - didn't think anyone would actually do it. [ he says, quietly. ] What should we do?
[ He looks to her expectantly, wide-eyed. She's better in a crisis than he is, sharper and more canny, and while he's aware to an extent that he tends to trust too easily, he knows he can always trust her. ]
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Orpheus looks to her, and Eurydice nods once, doing her best to appear steady. ]
We protect ourselves. Even if this killer's caught, who's to say there isn't more than one? [ Wow, Eurydice that's...super reassuring...
Eurydice breaks contact, moving to hold Orpheus's hand instead, leading him away from the body and back towards their rooms. ]
I've got some food saved. We can get it quick, but then we shouldn't stay in our rooms for much longer. We're easy to find there. Better to go someplace more sheltered. [ Since escape isn't an option. ]
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He lets go and allows himself to be lead along by the hand, worrying his lip as he follows along. ]
Where will we go? We can't leave the school, and this place isn't that big. [ There don't seem to be that many places to hide, although he hasn't really been looking. ]
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[Not to be judgmental, except he is totally doing that and he's not sorry, actually! The Balladeer seems to have no particular trouble looking at the body; he's solemn, but these things just happen.]
I usually know why. I'm not sure what I'm supposed to do, here...
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What are any of us supposed to do here? [ he asks, glancing back at the body, regretting it immensely, and looking back at the Balladeer instead. ] I mean, find who did this? But, how?
[ They're not detectives, or at least he doesn't think anyone here is. What are they supposed to do about any of this? ]
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[The Balladeer is a weird dude, who seems to know a lot of things he shouldn't and also rarely seems to recognize that it's weird! He tilts his head for a moment, then winces a little and adds ruefully:]
That probably wasn't my line. Just play along if the A.D. has a number about it later?
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...Your line? What? [ He blinks at the other man, owlishly. He's clearly missing something here. ]
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[It'll probably be fine. Not his fault, anyway, that he ended up in their show. But now, with no songs to sing about the murderer...hm. Should he help out? Does he even know how?]
Do you know what people usually do, with things like this?
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New Soul
... No? [ He holds his hands close to his chest as his eyes shift about in some vain attempt to recognize his surroundings. ]
This isn't my home, or any home I know. [ Here he makes eye contact. ] ... The same must go for you?
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Yes. I don't think I've ever been here before? And when I fell asleep I was at home. [ So this is all very strange. He shakes his head, frowning and worrying his lip slightly before turning his attention back to his... new roommate, he guesses? ] I'm Orpheus, by the way? It's nice to meet you.
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Well, he better introduce himself back. ]
Wilhelm. [ He nods with an award smile and offers his hand to shake. ]
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That's a strange name, [ he says. ] Where are you from, Wilhelm?
[ Aside from "not here". ]
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And you're from?
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II
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They still sing the Delphic Hymns all the time, in all the temples to Apollo I've been to. Is that not true for you?
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If it's okay to ask - where are you from? I don't think there's many parts of the world where you can't find a temple of Apollo if you're looking for one, as far as I know.
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Ah, the names change so fast, I'm not sure of the precise name of the place. Though...the continent's been referred to as America for a while. Though I don't believe there's any temples to Apollo there.
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II
That is the nightingale, he sings,
Of love and of love's pain.
Forgive me, monsieur, but may I ask what language you were speaking? It sounded...familiar.
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[ Still, Orpheus looks positively thrilled, either to have someone recognize even a little of what he was singing or just by the company in general. ]
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[With luck! Anything is possible as the Empress!
*ugly sob*]It's a lovely song. It seems so sad, though...!
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[ It's not his favorite style of music by a long shot, but it is traditional, and he can appreciate it for what it is. Old songs have power, after all. ]
It's a call to Apollo, praising his accomplishments and asking for his aid. It's still common in the really big traditional temples, I think? I wouldn't know, though, I don't live near any of them.
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[Blink.
Wait.]
I'm sorry, did...you say...people still worship Apollo?
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